糖心视频

Publications

four book covers for The Diaries of Judith Malina Cover for Occupying the Stage

Books


By Anthony Hudson. Edited and with an introduction by Kate Bredeson.
Northwestern University Press. Forthcoming, late 2026.


Northwestern University Press. Forthcoming, summer 2026.

. Collective Creation of the Théâtre de l’Aquarium (1968)
Translated by Kate Bredeson and Thalia Wolff. Northwestern University Press, October 2024.

Related interview: 


Northwestern University Press, November 2018.

Finalist, TLA George Freedley Award

Related article: Los Angeles Review of Books. August 16, 2018.

Essays in Edited Book Collections

“Linda Austin Reaches for the Beyond”
Artist book to accompany  by Linda Austin. September 2023.

“Judith Malina”
. Eds. Catherine Burroughs and J. Ellen Gainor. Oxfordshire: Taylor & Francis/Routledge. September 2023.

“The Postdramatic Process: ‘Set Writing’ in Contemporary French Theatre”
Eds. Shane Boyle, Matthew Cornish, and Brandon Woolf. London: Bloomsbury Press. March 2019.


The Sixties, Center Stage. Eds. James M. Harding and Cindy Rosenthal. Ann Arbor, University of Michigan Press. April 2017.

"The Making of La Dramaturgie in France"
. Ed. Magda Romanska. New York: Routledge. July 2014.

"France"
. Eds. Anne Fliotsos and Wendy Vierow. Champaign: University of Illinois Press. 2013.

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May '68: Rethinking France's Last Revolution. Eds. Julian Jackson, Anna-Louise Milne, James Williams. Hampshire: Palgrave MacMillan, 2011.

Journal Articles and Essays

Anarchist Developments in Cultural Studies. Victoria: University of Victoria. Volumer 2025, No. 2. November 2025.

Contemporary Theatre Review. 35.1. Fall 2025.

PAJ: A Journal of Performance and Art. 134. Volume 45, No. 2. May 2023: 141-146.

"‘To Infinite Possibilities’: An interview with Muffie Delgado Connelly and Tahni Holt." Review: the Journal of Dramaturgy. Volume XXVIII. Issue 1. Winter 2022: 16-23.


Theatre Journal, Volume 74, Number 3, September 2022, pp. 376-378.


PAJ: A Journal of Performance and Art. 131. Volume 44, Number 2. May 2022: 3-27.


Theatre Survey, 62, no. 3 (2021): 357-363.

Theatre Topics. Vol. 27, Number 2. July 2017: 95-107.

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Theater magazine, 46:3. February 2017: 115-121.

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Performing Arts Journal. 111. Volume 37, Number 3. September 2015: 78-84.
Republished by the

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Performing Arts Journal. Volume 37, Number 2. May 2015.

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Performing Arts Journal. Volume 36, Number 1. January 2014.

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Modern and Contemporary France. May 2008.

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Theatre Symposium, Volume 14. University of Alabama Press. 2006.

"Sometimes Cloudy, Sometimes Clear: God, Religion and the Williams Passion Play"
The Tennessee Williams Literary Journal, Volume v, Number 1. Spring 2003.

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Theater magazine, 33:1. Spring 2003. (Winner, John Gassner Memorial Prize)

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Theater magazine, 32:3. Fall 2002.

Cultural Publication, Public Appearances, and Journalism

. Episode 047. French Theatre Occupations. March 28, 2021.

. Episode 041. Portland Protests. With Justine Nakase. August 23, 2020.

“From Watching to Participating: Kate Bredeson and Lars Jan Discuss 1968 and Jan’s Stage Production of Joan Didion’s ‘The White Album.’ Los Angeles Review of Books. August 16, 2018.

“Theatre” chapter and “Five Go Down to the Woods” feature article. 2005-06 Time Out Paris guidebook, 13th ed. London: Penguin Books. March 2005.

Monthly theater reviews in GoGo, an anglophone journal in Paris. April-December 2005.

Weekly theater reviews in Time Out Paris. January-July 2004.

Book Reviews

. London: Routledge, 2021. French Forum. Volume 47.2-3. 2022.

James M. Harding’s Ghosts of the Avant-Garde(s): Exorcising Experimental Theater and Performance. Ann Arbor: University of Michigan Press, 2013. TDR: The Drama Review 59:1 (T225) Spring 2015.

Jeanyves Guérin's Le Théâtre en France de 1914 à 1950. Paris: Honoré Champion, 2007.
Modern and Contemporary France. July 2009.

Encyclopedia Entries

Four entries: "Antigone," "Gatti," "Sarraute," and "the Blacks." The Columbia Encyclopedia of Modern Drama. Columbia University Press. 2007.

Writing for 糖心视频

"RAW at Twenty-Four." Essay to accompany Reed Arts Week Catalogue, April 2014